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102 posts categorized "Arts and Culture"

Weekend Link Roundup (April 23-24, 2016)

April 24, 2016

BarerootcherrytreeOur weekly round up of noteworthy items from and about the social sector. For more links to great content, follow us on Twitter at @pndblog....

Arts and Culture

Americans for the Arts has released the sixth and final edition of the National Arts Index, its annual report the health and vitality of arts and culture in the United States. This edition, which covers the years 2002-13 and includes data on eighty-one national-level indicators, provides "provides the fullest picture yet of the impact of the Great Recession on the arts — before, during, and after." You can download the full report (4.38mb, PDF) a one-page summary, and/or previous reports from this page.

Climate Change

On his Nonprofit Chronicles blog, Marc Gunther suggests that is we are to avoid the worst effects of global warming, we not only have to radically reduce greenhouse gas emissions, we'will also need to figure out how to pull vast amounts of carbon dioxide out of the air. It's a daunting challenge, but we've got "a decade or two, perhaps" to figure it out, Gunther adds, and philanthropy, which has yet to devote much money to research on these technologies, has a real opportunity to make a difference.

In a Q&A here on PhilanTopic, the United Nation Foundation's Reid Detchon explains the significance of the Paris Agreement, which representatives of more than a hundred and seventy countries signed at a ceremony at the UN on Friday. And in a post on Medium, the National Resource Defense Council's Reah Suh argues that the accord represents the greatest opportunity the world has had to shift "from the carbon-rich fossil fuels of the past to the clean energy options that can power our future." home and abroad.

Disabilities

Google’s philanthropic arm, Google.org, has just awarded $20 million to thirty nonprofits working to engineer a better life for the disabled around the globe. Wired's Davey Alba has the details.

Education

On her Answer Sheet blog, Washington Post reporter Valerie Strauss shares key takeaways from Teachers Talk Back: Educators on the Impact of Teacher Evaluation, a new report written by a team of teachers and administrators headed by veteran educator Anthony Cody, co-founder of the Network for Public Education, and education historian and activist Diane Ravitch.

The Nellie Mae Education Foundation has launched an initiative called the Better Math Teaching Network. Learn more here.

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Weekend Link Roundup (February 20-21, 2016)

February 21, 2016

OFFICIAL-TRUMP-BALLOON700-622x900Our weekly round up of noteworthy items from and about the social sector. For more links to great content, follow us on Twitter at @pndblog....

Arts and Culture

In a piece for the Huffington Post, Robert Lynch, president and CEO of Americans for the Arts, looks at five macro trends that nonprofit arts organizations need to watch.

Fundraising

You would think that finance and fundraising professionals at most nonprofits go out of their way to be collegial and collaborative. According to Andy Segedin, you would be wrong.

Governance

Good post by Eugene Fram on the role trustees and directors should play in overseeing nonprofit management/staff.

Higher Education

Is the traditional college education an endangered species? Of course it is, says MIT computer science professor and serial education entrepreneur Anant Agarwal. The Innovation@Wharton team reports.

Inequality

Nicky Goren, president and CEO of the D.C.-based Eugene and Agnes Meyer Foundation, suggests that "many of the barriers and challenges facing low-income communities are the product of generations of systemic inequity," and that business and nonprofit leaders need "to have an open and candid conversation about racism before we can move from treating the symptoms of inequality to tackling its causes."

What do entrepreneurs and tech visionaries in Silicon Valley understand about income inequality and the threat it poses to global prosperity? Not a whole lot, write Jess Rimington and Joanna Levitt Cea, visiting scholars at Stanford University's Global Projects Center, and Martin Kirk, head of strategy for activist website The Rules, on FastCoExist.

The practice of tipping is rooted in slavery -- and it continues to hurt American workers today. The Ford Foundation's Elizabeth Wann explains.

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Weekend Link Roundup (February 6-7, 2016)

February 07, 2016

Black-history-month-1Our weekly round up of noteworthy items from and about the social sector. For more links to great content, follow us on Twitter at @pndblog....

Arts and Culture

In The Atlantic, Andy Horwitz, founder and publisher of Culturebot, examines the recent history of funding for the arts in America and concludes that while the arts themselves aren't dead, the system by which they are funded is increasingly becoming as unequal as the country itself.

Criminal Justice

On the National Committee for Responsive Philanthropy blog, Ben Barge, a field associate at the NCRP, shares highlights from a recent panel discussion, "Mass Incarceration: The Rural Perspective," featuring Lenny Foster, director of the Navajo Nations Correction Project; Nick Szuberla, executive director and co-founder of Working Narratives & Nations Inside; Kenneth Glasgow, executive director of the Ordinary People Society and co-chair of the Formerly Incarcerated and Convicted People's Movement; and asha bandele, director of grants, partnerships and special projects at the Drug Policy Alliance.

Giving

A new report from the Women’s Philanthropy Institute at the Indiana University Lilly Family School of Philanthropy finds that "women give more than their male peers at virtually all income levels, even though women in general earn less and have less money in retirement than men." In a piece for the Wall Street Journal, Debra Mesch, Eileen Lamb O'Gara Chair in Women's Philanthropy and director of the Women's Philanthropy Institute, discusses the findings.

Health

Good post by Marc Gunther (Nonprofit Chronicles) on why this Super Bowl is likely to be the last one he ever watches.

International Affairs/Development

On Monday, the World Health organization declared the outbreak of Zika virus a global public health emergency. The New York Times' Sabrina Tavernese and Donald G. MacNeil, Jr. report.

According to UNICEF, more women and children are now migrating to and through Europe than adult males -- and many children are traveling alone. In related news, organizers of the annual Syria pledging conference are requesting a record $9 billion from the international donor community by the end of 2016. In comments to the New York Times, Jan Egeland, a former Norwegian diplomat who heads the Norwegian Refugee Council, characterized the humanitarian response to the Syrian refugee crisis as grossly inadequate and said, "What we are witnessing now is a collective failure to deliver the necessary support to the region. We are witnessing a total collapse of international solidarity with millions of war victims."

"If social scientists and policy makers have learned anything about how to help the world's poorest people, it's not to trust our intuitions or anecdotal evidence about what kinds of antipoverty programs are effective, write Dean Karlan,a professor of economics at Yale and founder of the nonprofit Innovations for Poverty Action, and Annie Duflo, the organization's executive director, in the New York Times. Rigorous randomized evaluations, on the other hand, "can show us what works and what doesn't....Hope and rhetoric are great for motivation, but not for figuring out what to do."

There was some good news on the global public health front in January. The UN Foundation's Jenni Lee has a roundup.

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Weekend Link Roundup (December 26-27, 2015)

December 27, 2015

New-years-resolutionsOur weekly round up of noteworthy items from and about the social sector. For more links to great content, follow us on Twitter at@pndblog....

Arts and Culture

Eight years after its controversial Central Library Plan was greeted with alarm and derision, the New York Public Library  is moving forward with a $300 million renovation of its historic midtown campus, and this time, library leaders say, "it's a different story." WNYC's Jessica Gould reports.

How can we talk about art and artists in a way that makes clear their contributions to quality of life in the communities we call home? Veteran policy advocate and communicator Margy Waller shares some thoughts on Americans for the Arts' ArtsBlog.

Civil Society

On the Open Society Foundations' Voices blog, OSF president Christopher Stone notes the troubling fact that, in countries around the world and for a variety of reasons, "active citizenship is under attack and the space for civic engagement is closing."

Climate Change

Andrew Simmons, founder of the JEMS Progressive Community Organization and the Caribbean Youth Environment Network and a previous winner ('94) of the Goldman Environmental Prize, talks to the folks at GEP about the global agreement forged at the recent Convention on Climate Change (UNFCCC/COP21) summit in Paris and whether it is enough to save vulnerable island-nations from disaster.

Corporate Philanthropy

Based on Corporate Responsibility magazine's list of the 100 Best Corporate Citizens of 2015, the folks at the JK group share ten lessons from their work that make these companies the best in philanthropy and how yours can follow suit.

Criminal Justice

On the Marshall Project site, Vincent Schiraldi, formerly director of juvenile corrections for Washington, D.C., and a senior advisor to the Mayor's Office of Criminal Justice in New York City, argues that in order to truly end mass incarceration in the U.S., "we need to completely shutter the doors of youth prisons...."

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Weekend Link Roundup (October 31-November 1, 2015)

November 01, 2015

Vote-buttonOur weekly round up of noteworthy items from and about the social sector. For more links to great content, follow us on Twitter at @pndblog.

Arts and Culture

"Since the time of Alexandria, libraries have held a symbolic function. For the Ptolemaic kings, the library was an emblem of their power; eventually it became the encompassing symbol of an entire society, a numinous place where readers could learn the art of attention which, Hannah Arendt argued, is a definition of culture." Sadly, writes Alberto Manguel in the New York Times, that function is being diluted by the demands of a society "too miserly or contemptuous...to meet [its] essential social obligations...."

Climate Change

On the Transformation blog, the Kindle Project's Arianne Shaffer and Fatima van Hattum argue that the grantmaking strategies of the Chicago-based MacArthur Foundation illustrate in a profound way the "ongoing limitations and contradictions of conventional philanthropy" with respect to the threat of global climate disruption.

Corporate Philanthropy

Corporate Responsibility Magazine has announced the winners of its 2015 Responsible CEO of the Year Award.

Education

Should Angelenos be troubled by the fact that the Los Angeles Times ' new education-reporting project "is being funded by some of the very organizations the new education-reporting project is likely to be covering"? Paul Farhi, the Washington Post's media reporter, tries to get some answers.

Giving

Just in time for the holidays, "Bloomingdale’s is selling philanthropy as a lifestyle," writes Amy Shiller in the Chronicle of Philanthropy. Through its new Icons with Impact campaign, the upscale retailer, says Shiller, is positioning philanthropy as "a meta-brand, uniting retailers, spokesmen, and consumers in a transaction where ethics and esthetics — that is, doing good and looking good — are synergistically reinforcing, apparently without any sacrifice or conflict in fundamental aims...."

Charitable giving in the U.S. over the next two decades could reach $8 trillion — $6.6 trillion in cash contributions (much of it to family foundations) and $1.4 trillion in volunteer services (calculated at $23.63/hour). Forbes staff writer Ashlea Ebling reports.

Who are the twenty people who have given the most to charitable/philanthropic causes? And how many of them are under the age of thirty-five? Business Insider has the skinny.

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Curtains? The Future of the Arts in America

September 28, 2015

 PhilanTopic is on vacation this week. While we're away, we'll be sharing some of our favorite posts from the last year or three. This post was originally published in May 2015. Enjoy.

The arts — as we know it — are doomed. The broad cultural and economic consensus of the last century that placed paramount value on the arts, arts education, and art institutions has been lost like the voice of Yeats' falconer in the widening gyre. Tomorrow we will have less art, and we will be the poorer for it.

Cover_Curtains_the_future_of_the_Arts_in_AmericaLike an Old Testament prophet, Michael M. Kaiser, the former president of the John F. Kennedy Center for the Performing Arts, warns of a fundamental crisis in the arts: the way they are created, managed, and marketed in America is simply not sustainable. Ironically, as recently as 2013, Kaiser, in The Cycle: A Practical Approach to Managing Arts Organizations, was somewhat optimistic that such a worst-case scenario could be averted, and he outlined a series of steps arts organizations could take to fortify themselves for the tough times ahead.

Not so much in 2015. In his new book, Curtains? The Future of the Arts in America (Waltham, MA: Brandeis University Press, 2015), Kaiser paints a dark picture of the future, both explaining how things came to pass and what arts organizations, especially mid-sized ones, might do to (maybe) save themselves from oblivion.

His argument goes like this: In economic terms, the arts are playing a losing hand; in almost every other industry, the costs of production are reduced over time, allowing for more goods to be sold at a lower price point. Innovation and commodification contribute to this process, enabling goods to be produced ever-more cheaply and distributed on a vast scale, which in turn allows for the increasing segmentation of consumer markets and real-time adaptation to changing tastes and expectations. Alas, almost none of this is true for the arts.

The performing arts in particular, writes Kaiser, are a labor-intensive endeavor in which every unit (i.e., performance) is numbingly expensive to produce — a cost that is passed on to members of the audience in the form of ever-rising ticket prices. Moreover, when every performance must support a portion of the salaries and pensions of hundreds of performers, managers, and back-office staff, as well as theater maintenance and the marketing of the production and institution itself, it's little wonder that arts professionals look to the future with pessimism and deep anxiety.

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PND Talk: Why Give to the Arts When People Are Starving?

September 23, 2015

PhilanTopic is on vacation this week. While we're away, we'll be sharing some of our favorite posts from the last year or three. This post was originally published in January 2014. Enjoy.

Long-time readers of Philanthropy News Digest may remember PND Talk, the message board we launched back in 2004 and maintained for the better part of a decade (until the launch of our new site in November).

During its heyday, PND Talk was a lively community frequented by a regular cast of generous, knowledgeable nonprofit professionals — people like Susan Lynn, Sheryl Kaplan, Rick Kosinski, Julie Rodda, Tony Poderis, and the late (and much missed) Carl Richardson and Linda Procopio.

Recently, some of us were reminiscing about PND Talk and the friends who made it such a valuable resource for so many years. And that got us thinking: Wouldn't it be great if we could share some of their advice and wisdom with our readers here at PhilanTopic?

Well, we can and we're going to — starting with the post below by author and fundraising consultant Tony Poderis, who for twenty years served as director of development for the world-famous Cleveland Orchestra. In it, Poderis addresses the longstanding dilemma faced by all development professionals in the nonprofit arts world: How do you justify philanthropic support for the arts and culture when so many people, here and around the world, struggle to secure the basic necessities of life? It's an interesting and provocative post, and we think many of you will want to add your thoughts in the comments section below....

_____

Arts_jobs_buttonFor those of you laboring — with love — in the nonprofit "field" of arts and culture, I can guess, with reasonable certainty (I come from that background, too), that you are challenged at times to justify your organization's existence, particularly at a time like this, when so many other, "more worthy" societal needs are crying to be met. How do you respond?

I've had to address that difficult question many times over many years. And for many arts and culture organizations, it continues to be a pressing one. I hope what follows is of some help the next time you are so challenged.

Why give to the arts when people are starving?

I actually saw that question scrawled among the marginal notes in a funding proposal for an orchestra. The notes were penned by a trustee of a grantmaking foundation during a meeting to review the proposal. Another trustee of the foundation, the one who presented the proposal on behalf of the orchestra, later shared the notes with me and asked what I could do to help counter his colleague's questioning remark.

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The Art of Memory

September 18, 2015

PhilanTopic is on vacation this week. While we're away, we'll be sharing some of our favorite posts from the last year or three. This post was originally published in October 2010. Enjoy.

Earlier this month, in Buenos Aires, closing arguments were made in one of the legal cases brought against the military dictatorship that ruled Argentina between 1976 and 1983, the period of the so-called Dirty War. The case, referred to by the names of the three clandestine military centers ("Atlético-Banco-Olimpo") where 181 victims were detained, is one of hundreds that have been opened since the amnesty laws that protected members of the military from being prosecuted for crimes against humanity were struck down. The trials are open to the public, and the courtrooms have been packed by families of the victims and citizens interested in a resolution to this painful episode in the country's history.

Architecture, sculpture, and painting; music; film and video; poetry, drama, prose -- all have been employed to tell the tragic story of a people's loss and pain after similarly brutal episodes in the past. The arts are fundamental to the process of memorialization.

In Argentina, the process has included myriad plaques and other expressions of remembrance and remembering. At the national level, a group of ten human rights organizations gained the support of legislators in 1998 to establish the Park of Memory on the banks of the river that forms the country's northeastern boundary, the Rio de la Plata, and construct the Monument to the Victims of State Terrorism. In short order, an international competition to commission additional sculpture and a visitors center for the park was launched.

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[Review] Patience and Fortitude: Power, Real Estate, and the Fight to Save a Public Library

September 17, 2015

Book_patience_and_fortitudeScott Sherman's Patience and Fortitude: Power, Real Estate, and the Fight to Save a Public Library is a nuanced, enlivening, and ultimately sobering account of the birth and death of a plan to renovate and reorganize the New York Public Library, whose iconic main branch on Fifth Avenue in midtown Manhattan has welcomed millions of scholars, researchers, and readers since it opened in 1911. While the book is an impressive exercise in investigative journalism — providing, as it does, a meticulously researched account of the development of the "Central Library Plan" (CLP) — and the loud public rejection of said plan — it is also a paean to the NYPL and the power of citizen engagement.

Indeed, were it not for the impassioned voices of countless New Yorkers raised against the CPL, people like author Junot Diaz, who wrote, as part of a campaign protesting the plan, that "[t]o destroy the NY Public Library is to destroy our sixth and best borough; that beautiful corner of New York City where all are welcome and all are equals, and where many of us were first brought to the light," it is likely the institution's leaders would have succeeded in "repurposing" the library for the digital age while creating an enormously valuable parcel of land in the heart of one of the priciest real estate markets on the planet.

Taking its title from the two granite lions standing guard at the entrance to the library's landmarked building on Fifth Avenue, Patience and Fortitude examines in detail the plan's origins, as well as the objections to it, which focused on the proposal to transfer three million books from the library's basement stacks to a state-of-the-art storage facility in Princeton, New Jersey. In the process, Sherman, who first reported on the CLP in The Nation, reminds his readers that, throughout its storied history, the NYPL was funded by New York-based business and civic luminaries — Astor, Carnegie, and Rockefeller, among them — in the name of private philanthropy for the public good. The CLP, in contrast, was designed by consulting firms with an expertise in real estate and appears to have been driven by a handful of wealthy library donors, including some sitting trustees, with their own interests in mind.

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Most Popular PhilanTopic Posts (June 2015)

July 01, 2015

Book reviews from two of our favorite contributors, a timely look at the future of community foundations from Silicon Valley Community Foundation president Emmett Carson, a thought-provoking post on the relationship between philanthropy and inequality by Foundation Center president Brad Smith, a cool infographic from CECP and the Conference Board, and great advice for nonprofits from Claire Axelrad and Bethany Lampland — all that and more helped make June the second-busiest month ever at PhilanTopic. Best of all, you've got a long holiday weekend to catch up on the good stuff you may have missed. Have a happy and safe Fourth!

Read, watched, or listened to anything lately that surprised or made you think? Share your find with others in the comments section below, or drop us a line at mfn@foundationcenter.org.

[Review] Curtains? The Future of the Arts in America

May 28, 2015

The arts — as we know it — are doomed. The broad cultural and economic consensus of the last century that placed paramount value on the arts, arts education, and art institutions has been lost like the voice of Yeats' falconer in the widening gyre. Tomorrow we will have less art, and we will be the poorer for it.

Cover_Curtains_the_future_of_the_Arts_in_AmericaLike an Old Testament prophet, Michael M. Kaiser, the former president of the John F. Kennedy Center for the Performing Arts, warns of a fundamental crisis in the arts: the way they are created, managed, and marketed in America is simply not sustainable. Ironically, as recently as 2013, Kaiser, in The Cycle: A Practical Approach to Managing Arts Organizations, was somewhat optimistic that such a worst-case scenario could be averted, and he outlined a series of steps arts organizations could take to fortify themselves for the tough times ahead.

Not so much in 2015. In his new book, Curtains? The Future of the Arts in America (Waltham, MA: Brandeis University Press, 2015), Kaiser paints a dark picture of the future, both explaining how things came to pass and what arts organizations, especially mid-sized ones, might do to (maybe) save themselves from oblivion.

His argument goes like this: In economic terms, the arts are playing a losing hand; in almost every other industry, the costs of production are reduced over time, allowing for more goods to be sold at a lower price point. Innovation and commodification contribute to this process, enabling goods to be produced ever-more cheaply and distributed on a vast scale, which in turn allows for the increasing segmentation of consumer markets and real-time adaptation to changing tastes and expectations. Alas, almost none of this is true for the arts.

The performing arts in particular, writes Kaiser, are a labor-intensive endeavor in which every unit (i.e., performance) is numbingly expensive to produce — a cost that is passed on to members of the audience in the form of ever-rising ticket prices. Moreover, when every performance must support a portion of the salaries and pensions of hundreds of performers, managers, and back-office staff, as well as theater maintenance and the marketing of the production and institution itself, it's little wonder that arts professionals look to the future with pessimism and deep anxiety.

It wasn't always this way. A half-century ago, with the U.S. economy booming, government coffers bursting, and the costs of sustaining arts institutions much less daunting, the arts in America entered a sort of golden age. Arts education increasingly was viewed as a social good to be sustained with taxpayer dollars, and children, as they grew older, followed their parents' lead and became arts consumers and patrons in their own right. While twentieth-century forms of entertainment such as movies, television, and pop music all competed with live performances of more traditional art forms for audience dollars and attention, they served, more than anything else, to fuel Americans' interest in and a broader engagement with the arts. In particular, visionary investments like those made by the Ford Foundation in developing networks of regional theaters enabled the performing arts to flourish in cities large and small, while Lucille Lortel made Off-Broadway a household name.

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Weekend Link Roundup (February 14-15, 2015)

February 15, 2015

No-snow-signOur weekly roundup of noteworthy items from and about the social sectorFor more links to great content, follow us on Twitter at @pndblog....

Advocacy

Foundations and philanthropists need to find new ways to advocate in the post-Citizens United world, write Shelley Whelpton and Andrew Schultz on the Arabella Advisors blog, "or risk ceding influence over national policy to those who are willing and eager to play by the new rules."

Arts and Culture

Nice post on the Dodge Foundation blog by ArtPride's Ann Marie Miller, who curates recent research and opinions on what she terms the "shifting paradigms" in the arts field. 

Education

The American Enterprise Institute's Jenn Hatfield shares three takeaways from a series of papers released last week at an AEI-hosted conference on education philanthropy:

  1. Education philanthropies have shifted their focus from trying to influence school systems to trying to influence policy.
  2. Education philanthropy is getting more attention, and a lot more criticism.
  3. Education philanthropies are evolving, and maybe even learning.

Impact/Effectiveness

In a heartfelt post that serves as a compelling counterpoint to a recent op-ed by Jennifer and Peter Buffett in the Chronicle of Philanthropy, Jed Emerson argues that, yes, "metrics matter." And while "too many of those in the impact investing community view an effective metrics reporting system as 'nice to have' as opposed to 'critical to our practice in advancing impact'...

the myth persists that we can attain our goal of effective and relevant metrics assessment and reporting. One must ask, after all the frustration and challenges, why do we bother? I submit we persist in our pursuit because we know at a deeply visceral level our goal of integrating meaningful metrics into the core of our efforts to create a changed world has value and is central to who we are....

International Development

Are insecticide-treated bed nets the most effective intervention against malaria in the global development toolkit? Maybe not, writes Robert Fortner in a special report on the Humanosphere site.

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5 Questions for…Ian Clark Devine, Board Member, Bellosguardo Foundation

November 17, 2014

In the last years of her long life, heiress Huguette Clark became one of New York society's most-whispered-about curiosities. Born in Paris in 1906 to 67-year-old William Andrews Clark, a wealthy Guilded Age businessman, and Anna Eugenia La Chapelle, Clark's second wife, young Huguette grew up in splendid luxury in Manhattan and counted among her friends and contemporaries some of her father's grandchildren, including Devine's grandmother. After her father died in 1925, the young heiress and her mother moved from his Upper East Side mansion to a nearby apartment on Fifth Avenue, where Huguette lived for much of the rest of her life. After a short-lived marriage ended in 1930, she turned to art and art collecting, kept up her French and Spanish, and developed a passion for dolls, dollhouses, and Japanese culture. As she grew older, she also became increasingly withdrawn and reclusive — so much so, that when she passed away in 2011 just two weeks shy of her 105th birthday, only a handful of people could say they had seen her in the last twenty years.

Clark's death sparked a flurry of interest in her long, mysterious life — and in the disposition of her will, which almost immediately was challenged in court by members of her extended family. After two years, the case was settled in the family's favor, with the bulk of her fortune, including Bellosguardo, her coastal estate in Santa Barbara, California, going to charity. Earlier this month, PND exchanged emails with Ian Devine about the case and the creation of the Bellosguardo Foundation, which will oversee the Santa Barbara property, including its furnishings, artwork, and Clark's extensive doll collection.

Headshot_ian_clark_devinePhilanthropy News Digest: At the time of her death, your great-grand-aunt's estate was estimated to be worth around $400 million and included expensive real estate in Manhattan, Connecticut, and California; paintings by the likes of Cezanne, Renoir, and Sargent; and, famously, her antique doll collection. The disposition of her estate was challenged soon after her death by twenty of her grandnephews, grandnieces, great-grandnephews, and great-grandnieces, including you. Why did the family feel it necessary to challenge the will, and what, in your view, were the issues at stake?

Ian Clarke Devine: The Clark family worried that Huguette's advisors were taking advantage of her. There were signs of financial exploitation, family access was denied, one of her advisors was a convicted sex offender. The plight of Brooke Astor was very much in our minds. Family members filed a guardianship petition in 2009 seeking an independent firm to manage her finances and an independent evaluator to investigate her care. Despite indications of improper fiduciary management, the petition was denied.

When Huguette died in 2011, two radically different wills emerged, written only six weeks apart — after she had refused to create a will for more than fifty years! There were irregularities with both wills and several ethically dubious provisions. Taxes hadn't been paid in years. Challenging the will was the only way to uncover the truth. In fact, subsequent depositions under oath produced evidence of actions and behavior even more shocking than we had imagined. To boil it all down, the professionals closest to our aunt took advantage of her emotional vulnerabilities for personal and institutional gain. The doctors failed to assess her mental health. The Clark family believed that the professionals involved had to be held accountable.

PND: The dispute recently was brought to a close with the help of the New York Attorney General's office and the New York Public Administrator's office. In broad outline, tell us about the terms of the settlement.

ICD: The probate litigation and the settlement confirmed the family's belief that Huguette was the victim of emotional and financial abuse at the hands of her advisors and caregivers. It vindicated our decision to challenge the will. Though it took an excruciatingly long time, the settlement was quite sophisticated and honored Huguette's wishes as best as they could be discerned. The family was strongly in favor of the outcome.

The most welcome result was that the Bellosguardo Foundation, which otherwise might have become a vehicle for the enrichment of certain advisors, now holds tremendous potential to benefit the Santa Barbara community and the art world at large. Bellosguardo will be a place of pride. Credit is due to the New York State Attorney General's office and its Charities Bureau for outlining the steps to make Bellosguardo a viable foundation and a vital new force in the arts. And the settlement's structure will allow other charitable organizations to benefit in the future. All good outcomes!

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5 Questions for...Moukhtar Kocache, author, ‘Framing the Discourse, Advancing the Work: Philanthropy at the Nexus of Peace and Social Justice and Arts and Culture’

November 03, 2014

Headshot_moukhtar_kocacheEarlier this year, the Working Group on Philanthropy for Social Justice and Peace issued a report, Framing the Discourse, Advancing the Work: Philanthropy at the Nexus of Peace and Social Justice and Arts and Culture, that highlighted the synergy between the arts and social movements around the globe — and the general reluctance among funders to fund arts initiatives with a social justice component, and vice versa.

Recently, PND spoke with Moukhtar Kocache, the report’s author, about some of the challenges foundations face in funding "social-change-through-arts" initiatives and what can be done to change the existing dynamic. Kocache is an independent civil society, nonprofit, and philanthropy consultant whose areas of expertise include arts and culture, media, gender equity, social justice, and cultural activism and change. From 2004 to 2012, he was a program officer in media, arts, and culture at the Ford Foundation.

Philanthropy News Digest: What are the arts uniquely able to do in situations where liberties have been eroded and freedoms suppressed that more traditional advocacy activities are unable to accomplish?

Moukhtar Kocache: The arts are ubiquitous wherever human beings come together in common cause. I have yet to see, in our own time, a social movement that did not sing, dance, paint, make theater, and record its activities. The arts are closely associated with our notions of identity, self-determination, and healing. The challenge is how to develop the strategies, mechanisms, and tools needed to get to the next level, the level at which targeted interventions that amplify the role of the arts in social change processes are conceived and implemented. So, rather than ask what the arts can do that traditional advocacy can't, I would suggest thinking about questions such as, What forms of art are most suited for a particular type of social change cause? And at what stage and through what process can the arts help people coalesce around and amplify their response to a specific social issue or reality?

Today, artistic creation and artistic processes are extremely responsive to the challenges confronting all of us as citizens of a global village; rarely these days do we see art that does not, in some way, address a social or political issue that resonates with a broader constituency. Indeed, the arts often play a role before, during, and after periods of social change, informing and galvanizing communities and even societies through the various stages of social transformation. So, it's important to think more broadly about how we as a society understand the realm of art, because that will help us tailor and design social interventions with more nuance and precision.

Consider, for instance: civil rights-era protest songs; an artist-organized campaign to shut down a supermax prison; young women learning to make and screen short films about their marginalized role in society; a community working with artists and architects to redesign and rehabilitate public housing; victims and perpetrators of genocide engaged in making theatre together; children creating art in refugee camps; and so on. It's a short list, but it demonstrates how diverse activities that fall under the rubric of "art" can be, and how, at various times and through specific mechanisms, these activities help communities to heal, feel proud, build social cohesion, create new narratives, and mobilize for or against an issue.

PND: You write in the report that, despite growing interest in "the symbiotic relationship between art, self-determination, cultural democracy and social justice," arts funders and social justice funders remain reluctant to support "social-change-through-arts" initiatives. What are the reasons for that reluctance?

MK: Arts funders would say, "We do not fund social change," while social justice funders would say, "We don’t fund the arts." But this binary dynamic has meant that a wealth of learning and opportunities for impact has been missed and that a lot of grassroots creativity in marginalized communities is not being harnessed for social change. Part of the problem has to do with limited resources and capacity at the funder level where, for many grantmakers, supporting something new often is seen as too experimental, too risky, and/or a distraction from more "serious" and conventional funding strategies. Foundation staff also tend to feel ill equipped to venture into fields where they have little expertise, even though most people understand, at both a visceral and intellectual level, the power of the synergy between the two types of funding. I believe, however, that with time, foundations will become more versed in both the arts and social justice traditions, and that that will lead to more knowledge and a greater willingness to experiment among funders on either side of the funding divide we are talking about.

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‘Under Construction’: Healing With a Groove

October 29, 2014

Under_construction_logoUnder Construction is a multimedia online exhibit showcasing some of the best and brightest organizations working with males of color. The UC team of filmmakers, photographers, writers, and nonprofit experts worked directly with each of these organizations for several weeks. The collaborations yielded comprehensive portraits of the services men of color receive. Each profile features a short video, a photography exhibit, a visual program model, and a narrative essay detailing the efforts of these organizations.

Under Construction is a project of Frontline Solutions and was made possible through the support of the Robert Wood Johnson Foundation. For more profiles, click here.

Where there is joy, there is music. Frustration, music. Hope, music. Love found, love lost, music and more music. It expresses emotion when words alone are inadequate and provides a soundtrack for our lives.

In the Mississippi Delta, the cradle of the blues, the black experience has been chronicled by enduring and endearing songs that lament racism, relationship problems, social inequity, and the aggravation of being broke. The blues are a gift to the world, one that the Delta is best known for. The music spills out of unassuming juke joints that come alive after dark and that have produced more GRAMMY Award winners per capita than any other region of the country.

The blues is not necessarily the preferred language of the young men coming up now, though. They speak hip-hop and make personal heroes out of Southern-born rappers like Lil' Boosie and Yo Gotti, artists celebrated for their lyrical realness and rags-to-riches success. The issues that both genres address are the same, but the stories born out of them are set to a different beat.

It’s fertile ground for Healing With a Groove.

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  • " [P]rivileged classes never give up their privileges without strong resistance....[F]reedom comes only through persistent revolt...."

    — Martin Luther King, Jr. (1929-1968)

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