(Kathryn Pyle recently marked her fourth anniversary as a PhilanTopic contributor. In her last post, she returned to the subject of her very first post, the Adams County Library system in a rural part of south-central Pennsylvania, to check on its progress in improving services for the growing Latino population in the area.)
As the audience for social issue documentary films grows, the intersection between a film and its impact is of increasing concern to media funders, media organizations, and filmmakers themselves. There is general agreement that documentary films are an important source of information and opinion in our corporate-dominated media landscape and that they often provide the in-depth analysis of complex issues lacking in most mainstream media coverage. But how one measures the impact of individual films or the field as a whole is still very much a work in progress. As in other spheres, grantmakers are interested not just in the quality of the project (the film, in this case) but also in the results it leads to. And nongovernmental organizations, most of which are still learning how to best use the documentary format, are looking for models.
Two sessions at the annual "Funders Conversation" hosted by Media Impact Funders earlier this summer addressed these concerns. Indeed, the recent rebranding of the organization, which had been known since its inception as Grantmakers in Film and Electronic Media (GFEM), is testament to the trend.
"Very few of our members define themselves as film funders," explained MIF executive director Vince Stehle in a conversation at the affinity group's new office in Philadelphia. "Documentary film will continue to be as important, if not more so, than it's ever been. But it's only one feature of the media landscape, along with journalism, public media, community media, social media, and technology. MIF reflects all those communitiess as they work to achieve positive social impact. And we support the growing interest in measuring impact and understanding engagement."
One session, on "Documentary Film Impact and Outreach," focused on partnerships between filmmakers and Facing History and Ourselves, an international organization founded in 1976 that uses film to combat racism, anti-Semitism, and prejudice. In partnership with Skylight Pictures (also a presenter at the session), the organization developed three video models and a study guide (available online) based on the Skylight film The Reckoning: The Battle for the International Criminal Court.
Another session, "Measuring Media and Philanthropy," reported on a new initiative led by the Foundation Center's GrantCraft project and GuideStar to track and map funding for media. The session also described an inquiry into measures of engagement with, and the impact of, grantmaker-funded media projects headed by Jessica Clark of AIRmedia.
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