34 posts categorized "Film"

Robert Flaherty Film Seminar

June 26, 2009

(Kathryn Pyle is a regular contributor to PhilanTopic. In her last post, she wrote about Grantmakers in Film + Electronic Media's new Media Database.)

Flaherty_seminar Documentary filmmakers, teachers, librarians, students, film critics, and festival programmers from around the globe are participating in the 55th annual Robert Flaherty Film Seminar, thanks in part to fellowships provided by the New England-based Lef Foundation and the Philadelphia Foundation. The weeklong marathon of documentaries brings the films’ makers (this year from the U.S., Russia, Iraq, India, Israel, Syria, Colombia, Finland, Mali, and Poland) together with other film professionals to see and discuss a range of films. More than forty short or feature-length film or video works will be presented this year.

Founded in 1954 by Frances Flaherty, the widow of pioneering documentary filmmaker Robert Flaherty (Nanook of the North), the seminar began as a small group of friends discussing Flaherty's works. Now with an office in New York City, the organization's main program remains the seminar, held this year at Colgate University in upstate New York and programmed by independent curator Irina Leimbacher. Ten presenting filmmakers and another 160 participants have been watching six or more hours of film/video each day and engaging in vigorous debate about documentary structure, intent, look, sound, and impact -- all off it somehow related to the theme "Witnesses, Monuments, Ruins."

"Flaherty is unique," said program director Mary Kerr. "It's an opportunity to see incredible work and exchange ideas, but without the marketplace element of film festivals."

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GFEM Launches Media Database

June 17, 2009

(Kathryn Pyle is producing a documentary film about the post-conflict period in El Salvador. In her last post, she wrote about funding for documentary film and new media. )

GFEM_logo_140 Grantmakers in Film + Electronic Media rolled out their new Media Database on Monday at the annual SILVERDOCS conference/film festival in Silver Spring, Maryland.

At the event, GFEM executive director Alyce Myatt exhorted the audience of about fifty filmmakers to think beyond "cinema" to how they engage their audiences, the social impact their films can have, and how they can partner with organizations that use their films as part of a broader advocacy or service campaign. At the same time, Myatt lamented the decline in cinematic qualities among U.S. documentary films. "They’ve lost their aesthetic sense," she told those in attendance. "A good story about a critical issue should still be told artfully."

GFEM, which works to advance the field of media arts and public interest media funding, launched its Media Database at the Council on Foundations conference earlier this spring, but the effort is still in its early stages, with about 150 projects in the database at this point and another hundred in development. "As an organization, we serve funders," said project director Pamela Harris. "But the database is a bridge to film and video makers, radio and media advocacy projects." Grantseekers and grantmakers access the database through separate portals on the GFEM Web site, with profiles of the former behind one door and funders (or anyone else) able to search media projects by topic behind the other.

The how-to session at SILVERDOCS walked session attendees through the Media Database interface, starting with tagging. Selecting the right tag from a list that includes civil rights, disability, gender, and so on is essential to piquing funders' interest -- although the site is also being used as a resource by broadcasters and social issue organizations and shows up in Google searches.

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Documentary Film and New Media

June 14, 2009

(Kathryn Pyle is producing a documentary film about the post-conflict period in El Salvador. In her last post, she wrote about the "green trees" movement in Washington, D.C. )

Film_strip New media wasn't the only topic on the agenda at the "Fundraising and Financing for Documentaries" event this weekend at Hunter College in New York City. But it was certainly the elephant in the room -- in this case, an auditorium filled to overflowing with aspiring documentary filmmakers seeking advice and an opportunity to pitch their projects to a star roster of funders and broadcasters.

Presented by Women Make Movies and New York Women in Film & Television, the program featured representatives from HBO, the Sundance Channel, A&E, the public TV series POV and Independent Lens, as well as funders such as Cinereach, Chicken & Egg, the National Black Programming Consortium, and Independent Television Service (ITVS). Those in attendance were rewarded with lots of advice on presenting proposals to funders (summary: "read the guidelines") and making award-winning films. Character development, artful storytelling, stunning visuals, and compelling social issues are still what broadcasters and audiences want, and filmmakers were encouraged to share their passion when approaching distributors; passion can tilt the balance and convince a distributor to pick up a film, especially if it happens to be a film by a first-time director -- the astonishing Trouble the Waters being an example.

Later in the day, a panel of independent doc-makers described their use of Twitter, MySpace, and other social networks for fundraising. The examples ranged from simple, self-managed email solicitations sent to friends and acquaintances to the use of commercial online fundraising sites that post worthwhile projects and a time-limited fundraising goal for each project -- sort of a cross between a Jerry Lewis telethon and eBay. The panelists also focused on the ways they use their own Web sites, blogs, and Facebook pages to build an audience and create "buzz" for their films through the posting of actual clips, regular updates on the film's progress, and links to partner organizations.

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A Listing I'd Like to See for a TV Documentary We Should Want to See

March 31, 2009

(Bruce Trachtenberg is executive director of the Communications Network, a stand-alone 501(c) dedicated to helping advance, promote, and encourage the adoption of effective communications practices in philanthropy. This post, like his previous post, has been cross-posted to the Comnetwork blog.)

I had a dream the other night that I opened my newspaper to the television listings page and saw this description:

Great Giving: The Quest to Make a Difference -- We all know the role government plays in providing for the public's needs. But how much do Americans really know about private money -- whether from individuals or foundations -- which is given away to help individuals, families, and communities, and also solve larger root problems we face as a society? Who are the people who have given, what has motivated them, and what have they accomplished? Those are among the many questions explored in this 90-minute documentary film that focuses on the history, legacy, limitations, and future potential of philanthropy, a force for good that continues to shape our nation and, by extension, the world.

Familytv I guess I shouldn't have been surprised by the dream. Recently I'd been chatting with Gail Freedman, a filmmaker and friend, who has been on a quest the past several years to make just such a documentary, and which PBS is committed to airing nationally. While Freedman began work on Great Giving several years ago -- and its form and focus have evolved and sharpened -- she is convinced that the film is even more relevant today than when she first conceived of the idea. The question, though, is whether she'll be able to complete the project because of fund-raising challenges she faces. But more on that later.

Freedman is among those who can readily cite facts and figures about the lack of public knowledge about philanthropy. Yet she believes that deeper understanding of how philanthropy works, and doesn't, could lead to greater progress through greater public engagement -- especially in times like these, when we face unprecedented challenges. But by and large, philanthropy still operates "beneath the public's radar" and other than within insider circles themselves, "there is no forum for a broader discussion and broader comprehension of its potential."

Using the power of storytelling, Freedman's project is meant to remedy some of those gaps in knowledge and engagement in several ways. First, the film itself will go beyond the rather thin and scattershot coverage of philanthropy we're all used to. Instead, she intends to present "several in-depth case studies of philanthropic passion, innovation, and in one case, hubris, that are representative of the diversity, scope, significance, and potential hazards of giving." These stories, she adds, are meant to "illuminate larger truths about our history -- and by inference, about our present and our future."  In its current incarnation, Freedman's film has a narrative arc rooted in the past, but keenly relevant and resonant in the present. She quotes Winston Churchill: "The farther backward you can look, the farther forward you can see."

She’s chosen to "mix things up" and combine stories about iconic figures whose names have become synonymous with giving alongside others who are relatively little known and less understood, but equally important (from Julius Rosenwald to Madam C.J. Walker to George Pullman -- Pullman being a textbook case of philanthropy gone wrong). Freedman hopes the film will convey both what philanthropy really can do to make a difference in the nation and the world, and what it can't do -- i.e., the limitations of private giving for public purposes.

Next she has plans for a range of public outreach to complement the televised film. These involve the Internet, special edition DVDs, print materials, etc., as well as an extensive program of screenings and special events all over the country. Curricular materials may also be developed for use in schools (K-12), colleges, universities, and by NGOs, in America and around the world.

"My goal," says Freedman, "is to produce a film and create opportunities for a range of complementary activities that can help galvanize public discussion, debate and awareness around this essential 'third sector' that is so crucial to our society and culture, and yet surprisingly little understood. I know that a television film alone cannot change things, of course -- but a television event can be a public catalyst for new perceptions and action."

Freedman is an award-winning independent filmmaker who has produced, directed, and written a wide variety of projects for independent distribution, as well as PBS, network television, cable, and syndication; and she also creates educational and nonprofit work.  In fact, the commissioned films she makes for foundations and nonprofits have given her an added "insider's" view and have enriched her insights. Her most recent production was Generation Rx, a documentary for MSNBC that aired in early March 2009, about the current epidemic of prescription drug abuse.

Ironically, and as noted, the one thing that's holding Freedman back from finishing the project and getting it on air is money. Completion funding has been hard to come by, even though she only needs about $300,000 -- a relatively small sum for such a large project. Gifts and grants so far have come from a mix of corporate, individual, and foundation donors; but in reality, only a handful of foundations have stepped forward.

So right now, that's her dilemma. She has a lot of terrific material already "in the can," and she knows how to spin a great yarn and engage the public -- but she needs help. There's no argument that such a project could foster greater awareness of philanthropy in America and help spark a long overdue national conversation about its value and importance to our society and the world.

She's giving it all she can. Maybe you can help, too. It's not just in her interest that this project should get finished, but ours, too. If you are interested in discussing her project, e-mail Freedman.

-- Bruce Trachtenberg

Quote of the Week

  • "[L]et me assert my firm belief that the only thing we have to fear is...fear itself — nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance...."


    — Franklin D. Roosevelt, 32nd president of the United States

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